Blank Canvas - The Apricot Gallery awaits
Sorting the layout
Prints of pieces in Canada hung in traditional Celtic Cross Layout
Buddhist themed work
Guest viewing the work
Celtic Cross layout of the original canvases
I thought this blog entry would write itself. I figured the entire experience of hosting a gallery show of my Tarot Card series would be content enough, but looking back I really have no idea where to start. This show felt like a very nice full-stop to what was originally just an intriguing idea for an art project.
From the High Priestess to the Wheel of Fortune, each card has been an exploration of my beliefs, the beliefs of the world around us and the energy which flows throughout. The sense of utter exhaustion I felt by the end of the two days was partly due to the physical effort involved and partly due to the emotional intensity of it. My blood, sweat and tears went into these paintings and as each guest came in I greeted and discussed with them the finer points of my work.
It was extremely interesting to find out which card drew an individual in and why they felt so captivated by it. For some it was the imagery, for others it was the description. For a few it was a combination of both, but no one seemed to leave without having chosen a card or two for which they felt an affinity.
I'd like to thank each guest I had for taking time to come look and have a chat. I feel like I have gained an even greater understanding of my own work by viewing it through the eyes of so many others.
I am extremely grateful for all the support I've had on this journey. I know I thanked many people upon completing the set, but I'd like to thank a few people in particular for this final step of showing my work.
I would like to thank my psychologist - my most expensive friend and a force to be reckoned with. Her persistence helped me stop making excuses. One of the guests of my show remarked that to put something like this one must take a lot of guts. I want to thank my psychologist for teaching me that fear can't actually hurt you. Without this encouragement I'd not have taken the plunge to move to London and I'd certainly not have believed in myself to think I could and should pull off what I have this past weekend.
I would like to thank my parents - they have always encouraged me to be the best of myself and without their unconditional love I know I wouldn't be the person I am today.
I'd like to thank those who were able to purchase my work. I did these paintings for myself but I shared them for people like you. I am so grateful for your appreciation of what I do and feel honoured that my work spoke to you in such a way that you would love to have it hung on your own wall to admire every day.
And in the tradition of saving the best for last, I would like to thank my partner. Not only did she do some smashing photography of the event, but she has given me huge amounts of support and encouragement throughout the planning and preparation. From all the little thing - like picking up cups for the wine and greeting people as they came in, to the really incredibly big things - like booking taxis and putting up with my fits of worry and anxiety, she has shown great patience and care. I am more grateful to her than words can possibly express.
In the aftermath of the showing I've become quite reflective. During the show many people asked what I intended to do next. I didn't have a straight forward answer for them but I can say that I came to the conclusion that, for now, my paint brushes will be set aside. I have mentioned before that I tend to want to do quite a lot all at once and feel almost paralysed by the abundance of ideas for creative projects which crop up on a daily basis. I feel though, having focused so entirely on this body of work for the past two and a half years, that there is time enough for all my work to be done - one piece at a time.