Showing posts with label performance art. Show all posts
Showing posts with label performance art. Show all posts

Friday, July 1, 2011

Dance you fools, Dance! - Instalment V

It's the 1st of July which means it's Canada Day and what better way to celebrate than by sharing my Calgary instalment of 'Dance You Fools, Dance!'
Location: The River Bike Path, Calgary, Alberta CANADA
Present: Clare Stuart-Adams, Photographer and Allison Windle, Fan Club/Photographer
Song: Never Gonna Leave Me - Sia
"We are anything but unremarkable."

Sunday, June 12, 2011

Dance you fools, Dance! - Instalment IIII

At the base of St. Paul's, on the most perfect little patch of grass, surrounded by lavender and bees, I did dance in the glorious afternoon sun.

Saturday, April 9, 2011

Dance You fools, Dance! - Instalment II


Location: Paternoster Square, next to St. Paul's Cathedral
Present: Marianne - Observer of Reactions Clare - Photographer/video
Song: Ooh La La, Goldfrapp
April has arrived bright, beautiful and with the promise of a hot summer to come. After a chilly start to the week, the sun broke through and the skies have been blue and clear, the sun warm and welcoming. Perfect weather for public dancing.

To warm up I walked with my 'Observer of Reactions' from Vauxhall to St. Paul's. This walk took us along the Thames Southbank, past the houses of Parliament, through the throngs of tourists at the London Eye, up past the graffitied riverside skate park to Blackfriars Bridge. The nearer we got to our monumental and stunning destination, the more my excitement built. Dancing in Raglan Castle had been a tester, a good launch in a populated but uncrowded area.

Just next to St. Paul's Cathedral, Paternoster Square is not crowded but definitely has more foot traffic than my first dance stage. Because of it's location this square is a commuter pathway, with Suits heading to catch that infamous Central line or the very populated Northern line. I chose this square because I knew it would be busy, but I shouldn't be in the way. My intention with this piece is never to irritate or annoy by getting in the way. I don't seek to inconvenience anyone. I just want to challenge them, entertain them. Make them think, make them wonder, give them something a little different.

I donned my headphones, found a patch of sun, and let the music do its thing.

when I'm dancing I don't really notice anyone around me. I quickly forget that only I can hear the music to which I'm moving my body. I glanced a few faces - one being a scowl from a Suit - always smiling at those who's eyes I caught. I smiled for the glory of being drunk on the sun, having brilliant music flowing through my headphones into my very blood. I smiled for the beauty of London when it's lit up by Spring sunshine. And I smiled because dancing is one of my favourite things and I love that I can do it anywhere I want.

Sunday, April 3, 2011

Dance You fools, Dance! - Instalment I

Location: Raglan Castle, Wales
Present: Clare - Video, Zabine - Observer of Reactions
Song: Upside Down - Paloma Faith

Spring days hold such wonderful promise. A cool breeze may cause a shiver but the warmth of the sun hints at the baking heat on the way in just a few weeks. April 2nd was such a day. The fields were green and through the trees all lack leaves, buds are beginning to show and the energy from all that growth flowed through the air. Exploring the grounds of Raglan Castle, I found myself feeling a wonderful sense of care-free calm. I lay on a wooden bench, basking like a lizard on a rock, soaking up the bright rays of the sun. The grass seemed particularly green and extremely inviting. Inviting, I thought to myself, for dancing.


The choosing of my playlist has probably been the greatest motivator for me to just hurry up and do an installation. Each time I pick another song the excitement builds and I suppose the combination of glorious Spring weather, good company and ancient stone walls made me reach that point where it just had to be done.


I pulled off my hoodie, prepared my music, and did a little speech for the camera. My partner did a smashing job of videographing with my rather run-down point and shoot, capturing a brief introduction to my performance and the point of it: We should feel more free to do what makes us happy and sometimes I just really want to break out into dance, anywhere, simply because I love it and a good song has just come on my headphones.


I took my place in the centre of what was once a fountain courtyard and pressed play.

It was an incredible day for it and I had an incredible feeling from just doing it, letting go and dancing. It's not difficult because the music just takes over. And now that I've done it once, I can't wait to do it again.


Now to choose the setting for instalment II.



Tuesday, March 15, 2011

Dance you fools, dance! - Kait's Mixtape


When I was growing up I never thought I was particularly knowledgable about music. I felt like there were these people who just knew about songs - the people who'd written them, the instruments that were used and the influence they had - and people who didn't. I felt like I fell into this latter category because when asked I often couldn't recall a song title or musician and I owned very few cassettes or CDs.

My brother was a music person, as was my dad and to a large extent my mum, but I was not. I was apart because I couldn't tell you my favourite genre or artist. I knew I loved Paul Simon's 'Graceland' from my dad's tape collection and Sinead O'Connor's 'I Do Not Want What I Haven't Got' from my mum's tape collection. My parents own a turntable and taught me and my brother how to put on a record, lining up the needle to catch the vinyl grooves. We listened to the crackling albums of Queen, Manhattan Transfer, Janis Joplin, Pink Floyd and of course, The Beatles.

But this was all their music and I didn't know the names and titles of artists and songs. I just knew that I love dancing and when certain songs came on I couldn't help but move my feet. I would put on Simon and Garfunkle's 'Cecelia' and clap and stamp around the living room. I worked out an entire routine to 'Missing' by Everything But The Girl. My entire family would get in on it when my dad put on 'Don't Fence Me In' as done by David Byrne.

As the years passed and I started junior high and then high school, I began to discover my own music. I soon realised that there wasn't any particular genre which took my fancy. My basis for loving a song was on how much it inspired me to move my body. With headphones on I soon established a soundtrack to my activities. I loved a solid beat to accompany my feet when I was walking, a quick rhythm to match the spinning of my tires when I went cycling, and a lightness of lyrics for when I sat on a swing, kicking my feet into the air.

But the joy and freedom of dancing became a thing reserved for my living room, and usually when I was alone in the house. I no longer felt comfortable dancing in front of anyone. The awkwardness of junior high and the rules of high school forbid it. It wasn't until I moved to an alternative high school that I began to realise that I was not doing something I loved because of what other people might think. At eighteen and nineteen I discovered the joys of the gay bar and the glorious selection of dance music to be found there, but even then, I had to be at least tipsy to touch the dance floor.

I was aware of this, however, and it led me to consider what it meant.

As a child one of my favourite sayings was 'Dance like no one is watching.' I didn't grasp its meaning entirely but as a kid I thought it was a good saying made of solid stuff and worth repeating. I danced because I liked it and I didn't get why anyone watching should or would make a difference. The indifference and cruelty of my junior high school experience made me see that I wasn't right. My hair wasn't right, my clothes weren't right and my taste in music most certainly wasn't right.

My experience in high school made me see that what other people thought shouldn't dictate what was right. That the right things were the things which were true to myself and I could cut my hair as I pleased, wear what I found comfortable and listen to music that I enjoyed.

It wasn't until a few years ago, though, that I learned how to really apply that. This was when I began to focus on my art and writing more, when I decided to travel and see the places I often talked about seeing. This was also when I really got what it meant to dance like no one was watching. I stopped drinking and any trips I took to the dance floor were entirely fueled by my love of the music. I would go out early so I could have the dance floor to myself. I'd wave to the DJ and under a canopy of lasers and lights I would dance to anything they played for me. As the floor would fill up I'd make my dance circles smaller and once I was confined to a space where I could do no more than jig on the spot, I would go home.

It was my dance therapy. I love it. And I've decided to take it to the streets. Inspired by a conversation with a friend and the 'Silent Disco' at the Science Museum, I have made up my mind to go out, into the centre of London, and just dance.

I'm currently working on my play list and I need your help. I need to know what songs you love to dance to. What songs get you moving. Anything at all.

This will be an performance art installment, my very first, and one which you may be invited to join. I'll keep you posted on the developments as long as you keep sharing that music.